Then, at Friar Lawrence's cell at the church, Paris tries to woo Juliet by addressing her as his wife and saying they are to be married on Thursday. Juliet's mother, too, turns her back on Juliet shortly after Capulet storms out of the scene ("Talk not to me, for I'll not speak a word do as thou wilt, for I have done with thee"), as does the Nurse. Capulet threatens to disown Juliet and turn her out of his house if she does not marry Paris. Later in the play, however, after her cousin, Tybalt, dies by Romeo's hand, Juliet refuses to become Paris's "joyful bride". Capulet invites Paris to attend a family ball being held that evening, and grants him permission to woo Juliet. Juliet's father, Capulet, demurs, telling him to wait until she is older. Paris makes his first appearance in Act I, Scene II, where he offers to make Juliet his wife and the mother of his children. Montecchi and Capuleti were actual 13th-century political factions, but the only connection between them is a mention in Dante's Purgatorio as an example of civil dissension. Da Porto presents his tale as historically true and claims it took place in the days of Bartolomeo II della Scala (a century earlier than Salernitano). He also introduces characters corresponding to Shakespeare's Mercutio, Tybalt, and Paris. He gave it much of its modern form, including the lovers' names, the rival Montecchi and Capuleti families, and the location in Verona. Da Porto drew on Pyramus and Thisbe and Boccacio's Decameron. Luigi da Porto adapted the story as Giulietta e Romeo and included it in his Historia novellamente ritrovata di due Nobili Amanti published in 1530.